The Gluteus Maximus in Bridge Pose

Gluteus MaximusWhat to do with your big butt muscle, gluteus maximus, during the yoga practice is a source of endless confusion for students and teachers alike. While I am big on saying relax your butt it isn’t really relaxing—it is an issue of whether it is working correctly or not.

When I teach people posture I say that the gluteus maximus should be completely relaxed when we are standing as it has no role to play when we are up on two feet. But in yoga class it has something to do in almost every pose—I just think it is often doing to wrong something.

Using bridge pose as a guide to know what the gluteus maximus should be doing in backbends can be very helpful. One of my essential instructions is that there should never be any thrust in a backbend. If you are using thrust to get into bridge, or wheel, or any variation thereof, you are most likely using the gluteus maximus incorrectly.

The gluteus maximus, like the hamstring, is an extensor muscle that runs down the leg. The gluteus maximus is one of the muscles that brought us up to standing from all fours. The downward pull of this big butt muscles brought the pelvis to it neutral upright position and allowed the spine to come to vertical.

Most people come to bridge by tucking the pelvis under and lifted the hips up. This tends to make gluteus maximus grip up towards the belly rather than extend down the leg. I often teach bridge with a block between the thighs and instruct that the feet should stay still and grounded and the inner thighs should remain connected to the block which wants to move down towards the floor rather than up towards the ceiling.

The fairly standard (incorrect) use of the butt in bridge forces the hips up by gripping gluteus maximus which takes us to the outside of the feet and pulls the inner thighs away from the block. When the gluteus maximus is doing its thing correctly in this pose, the feet don’t move and the inner thighs stay connected to the block.

If you want to feel what the gluteus maximus should do in bridge come into the pose and isometrically (which means that the feet won’t move) drag the feet energetically towards the hips. You should feel both the gluteus maximus and the hamstring extending in the direction of the feet.

Don’t worry too much about right and wrong but do the pose repeatedly to see what your habits are as you move into bridge. Get to know how you use these all important muscles and you might find that you need to change your approach a little bit.

Gluteus Medius Weakness And The Stability Of The Pelvis
Ribcage: unchain my heart.
  1. Interesting post. I have always questioned (in my own mind) when movement practitioners say that the butt should be completely relaxed while standing. For one thing, the gluteus maximus is a major extensor of the hip joint, and when we stand, the hip joint is fully extended (as opposed to hyper extended when we raise the leg to the back), so why would the major extensor of the hip joint be fully relaxed in that position? So it’s good to hear you say that it’s *how* the muscle is being used. Also, would you say that it’s the lower fibers of the glute max that are more active when standing? My own thought is that the glute max can act as a stabilizer of the hip by being moderately active when standing, IF, as you teach, the thighs are back and the butt not pushed forward.

  2. Each muscle has concentric, eccentric, and integrated isometric (stabilization) functions. As for glute maximus, it concentrically accelerates hip extension (as in getting into the bridge pose from the ground), eccentrically slows hip flexion (slowly lowering down from bridge, as opposed to dropping like dead weight), and isometrically stabilizing the hip joint (whether in holding bridge for a period, or even standing upright.) So I’d argue that glue maximus is definitely working while standing, even though we probably shouldn’t be too aware of that action. Maintaining posture takes muscle tone, without which we’d be flaccid and immobile. It’s about having the right amount of tone at the right time for a given function.

    This gets to the crux of one of the difficulties of being a yoga teacher. Often we have to use structions that help students find balance in a pose, but are technically incorrect or inaccurate from a biomechanics standpoint.

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